A Midsummer Night’s Dream

I submitted a small drawing for a contest hosted by Dick Blick. Check it out and vote for my piece here: bit.ly/2cstWDc!

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A Midsummer Night’s Dream: Titania’s Love

I did a small drawing for one of my classes. Read the accompanying explanation below.

This piece of art is rendered in ink and graphite and is primarily a visual representation of Titania and Nick Bottom. The piece was made small to make it an intimate piece: the viewer must draw near to see what it is. Ink is a thoughtful medium: it must be placed on the vellum deliberately and with care because it leaves a permanent mark. This was an intentional choice because the nuance and detail that can be achieved in the lines is expressive and a befitting the nature of the ideas explored in A Midsummer Night’s Dream. Ink is also a fitting medium because mistakes made are permanent and, while they can be made to feel an intentional part of the composition, they exist forever in the piece as a poor choice or a slip of the hand.

Oberon’s hand is represented as a sneaking shadow, encroaching on Titania’s neck. His hand a visual representation of the forces exerted on certain characters to control others: Oberon over Titania, Theseus over Hyppolyta, Puck over the young lovers and Nick Bottom.

In Titania’s eyes, the deceitful flower rests. The petals growing out through her lids distort her vision and trick her into loving the simple ass in front of her. In her hair twigs and leaves grow, a simple crown for the queen of the wood. Her head is illuminated by a halo as a depiction of her righteous duty to raise the child of her mortal friend and prevent Oberon from taking the boy and training him for combat. The halo is also representative of her innocence: she wants to be at ease with Oberon and dislikes the world being awry when they are at odds. Her desire for respect inspired trickery and manipulation in her husband and his cohort.

Bottom is drawn as placid, sitting idly at the bottom of the frame. What his gaze is occupied with is left to the viewer to determine: perhaps he’s gazing upon Titania’s body, perhaps upon some food. He is surrounded by flowers, which, peaceful and light, are devoid of humanity and function as a representation of his adoption by Titania and her entourage following the abandonment he suffers as a result of his friends’ fear of his transformed self.

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